Director: Francois Truffaut
Previously I reviewed Antoine and Colette, the second film in Truffaut's Antoine Doinel series. This film here is the third. One of the first things that stands out in this film is the performance of Jean Pierre Leaud and how he has so perfectly evolved into the character of Antoine Doinel (or maybe the character evolved into him). His acting, plus Truffaut's writing and directing since the character is semi-autobiographical, all do so much to get across all the ticks and small characteristics that make Doinel who he is.
In this film Doinel is largely the same person he was in The 400 Blows and Antoine and Colette, but in a much more adult world. Once again Doinel is a guy who just can't find his place in society. The way he goes from job to job, and from young woman to old woman in the movie is proof of his inability to have a stable life. Doinel just can't find where he's supposed to go in society, and it's a theme that I believe many can sympathize with in some way. While there are many great comedic moments, ultimately the film is once again a tragedy in which we feel bad for Doinel and blame society for being so uninviting.
Grade: A-
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