Creator: Louis CK
Last season, Louis CK gave us what I saw as of the best seasons of TV I had ever seen. It was completely atypical of any show that had ever aired in not only form, but also content. The show encapsulated the human condition better than any show that year. So it's pretty high praise when I say that the third season completely met my very high expectations. At the most basic level, it's a show about a man in a mid-life crisis, but that description really doesn't do the show justice. Louie is a man who takes care of his kids half the week, but he is searching for something to focus his attention in that other half of the week. This season he looks at many things to fill the void he has in his life. He comes across many women who he attempts to court, he finds a new career goal to strive towards, and even tries to make a new Cuban best friend.
In typical Louie fashion, he's not too successful with those endeavors, but it's the journey that is so touching and so affecting. As a director and writer, Louis CK is able to capture the most complicated of human emotions and feelings. He has a talent that outshines most Hollywood filmmakers. A great example of this is when Louie goes to meet his father for the first time in many years. This is a show about what Louie is feeling, so appropriately the audience views reality through Louie's eyes, and so when he is in on his way to meet his dad there is tug-of-war going on his head and Louie actualizes that brilliantly on screen through surreal moments that bend reality for the sake of Louie's inner feelings. The ultimate highlight of the season is most certainly the "Late Night" arc, when Louie gets the chance to replace David Letterman. Those episodes (which are really one big movie) not only provide a commentary on the vicious way show business makes enemies out of friends, but also give us as a "Rocky"-like arc for Louie that should have been cliche, but somehow managed to be genuinely triumphant while still keeping the downer tone and ideology of the show intact.
There were moments of the season that were certainly not as creative and ambitious as Louis CK's best work, but any show with the vignette structure will have its low points. Louie counterbalances those low points with some extraordinary high points, all capped by the amazing transcendental season finale in which Louie literally gets away from it all and goes to China. What did he do there? Nothing really. But it felt completely right, and that's what Louie is about: feeling right.
Grade: A
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